Formally speaking, the image’s behavior evokes the 24 frame-per-second speed of film projection, the technical principle that enables the human eye to perceive movement. This tribute to cinema—and to Proust—bears witness to the artist’s experience of temporal fragility in relation to mortality and death.


ERICK MEYENBERG (1980)
24 FPS, 2015
Single-channel video, color, stereo sound
2’ 55”
Sound design: Félix Blume
Acquisition through the shcp Pago en Especie program, 2017