América Letrina
Damián Ortega
Letrine America
Five years before Ortega made this sculpture, the North American Free Trade Agreement went into effect—at the same time as “Latin American identity” was being debated in the cultural sphere. With a Duchampian air, Ortega avails himself of strategies from conceptual art to resignify and alter a utilitarian object, offering ironic commentary on the reductionist notion of Latin America as a kind of drop box, drain, or secondary channel at the service of “the northern powers.”

In this piece, the artist uses objectified humor to provocatively critique the geopolitical perception of Latin America.
DAMIÁN ORTEGA (1967)
América Letrina, 1997
Letrine America
Ceramic, epoxy plasticine, and enamel
Acquisition with funds from the Patronato Arte Contemporáneo A.C., 2014