The image reveals the photographer’s obsession with masks and disguises as a means of creating fiction and reality in everyday life.

In Graciela Iturbide’s work, we can see a striking degree of personal involvement, the construction of intimate bonds with the communities documented therein. Her camera approaches people in such a way that the final image defies a merely anthropological interpretation.


GRACIELA ITURBIDE (1942)
Cayó del cielo, 1990
Fallen from Heaven
Gelatin silver print
Acquisition, 2005