Acerbically and incisively challenging the phallocracy and prevailing sexism, it constitutes the artist’s response to the Freudian theory of “penis envy.” The work is now rightly considered an artistic milestone of gender critique in Mexico.

El pene como instrumento de trabajo [para quitarle a Freud lo macho], 1982
The Penis as an Instrument of Labor/To Make Freud Un-Macho
Mask. Print on cardboard
Fondo No-Grupo, Centro de Documentación Arkheia MUAC (DiGAV-UNAM)
Acquisition, 2012