Around this inner signature, García Ponce orchestrates something like a spiral of painted planes that evoke spaces framed, in turn, by other pictorial gestures. These inner paintings, which open like slits and split off into gashes and dry brushstrokes, culminate in the plump drops and red accents that blot the wood at broad intervals. Together, these elements suggest a curious self-portrait—less of the artist as a physical presence than of his craft and the joy that Fernando García Ponce found in what his brother, the writer Juan García Ponce, called “the allure of the void and the artist’s natural tendency to fight it.”


FERNANDO GARCÍA PONCE (1933–1987)
G.P. 33, 1981
Collage and acrylic on wood
Gift of Sara Sierra, 1990