This dialogue between text and image is characteristic of an artist like Rodrigo Moya, who worked as a photojournalist from 1955 and 1968 at magazines such as Impacto and Sucesos para Todos, in which his images and reporting maintained a critical view of state discourse.

Hipotecados, 1965
Gelatin silver print
Acquisition with funds from the Presupuesto de Egresos de la Federación, 2013