It simultaneously symbolizes a gothic monstrification of the Duchampian ready-made and the transfiguration of the field of practices that suggest the death knell of aesthetics.


GRUPO SEMEFO (1990–1999)
Arturo Angulo Gallardo (1965), Juan Luis García Zavaleta (1961), Carlos López (1963), Teresa Margolles (1963), Juan Manuel Pernás (1969), Mónica Miroslava Salcido (1970)
Larvarium, 1992
Exhumed coffin, chains, and metal coat hangers
Acquisition, 2006