Panel
The Problem of Memory in Digital Collections

Pedro Ángeles, Isabel Bordes, Ana Lucía Macías Chiu, Damián Cabrera

Moderator: Guillermo García Pérez

Martes 23 de noviembre, 2021
13:00 h
FB Live MUAC
Idioma original
YOUTUBE
traducción simultánea

Digital collections are living operational structures. Starting with this idea, and with questions about how to preserve them and why, the panel participants will reflect on the role of digital repositories in the construction of memory.

The intention of this conversation is to argue that digital archives do not just preserve content, but can be creative platforms in themselves. By precipitating artistic expressions, these spaces can provide a political encounter in which societies come to recognize themselves.

Pedro Meyer: An Artist, a Collection and the Transitions of Digital Memory
Pedro Ángeles
Coordinator of the Arts Information Unit (Institute of Aesthetic Research)
Mexico
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Pedro Ángeles has a Bachelor’s in History from the UNAM Faculty of Philosophy and Letters, where he is currently preparing his doctoral thesis. He has worked as an adjunct professor in the faculty’s Bachelor’s and Master’s in Art History programs. He is the author of many specialized articles on colonial Mexican art and coauthor of several publications on the same topic. From November 1986 to date, he has worked as an academic technician at the Manuel Toussaint Photographic Archive at the UNAM’s Institute of Aesthetic Research, where he is currently the coordinator.

Pedro Meyer is an internationally renowned photographer whose work has passed through all possible technologies, especially digital formats. This talk covers three of his projects: I Take Pictures to Remember, his portal Zone Zero and his archival digitalization project and database Heresies, with which he celebrated half a century of artistic production. Digitality lies at the core of Pedro Meyer’s production, as well as derivations that have to do with its relevance and permanence, and therefore its future implications.

Digital Preservation: A Bird in the Hand
Isabel Bordes
Director of the Library Department and Documentation Center (Museo Nacional Centro de Arte Reina Sofía)
SPAIN
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Isabel Bordes Cabrera has served as the director of the Library Department and Documentation Center at the Museo Nacional Centro de Arte Reina Sofía since June 2019. From 2009 to 2019, she worked at the National Library of Spain (BNE), where she led the Digital Library team from 2013 on. She was in charge of the Digital Hispanic Library portal, the internal and external digitalization of the BNE’s collections and the implementation of digital preservation procedures and plans in all its digital collections. She represented the BNE in domestic and international projects and agreements on issues such as orphaned works, the assisted transcription of manuscripts, the Impact project coordinated by the National Library of the Netherlands and the European digital library Europeana. She studied veterinarian medicine as an undergraduate and has a Master’s in Library Science and Documentation from the Complutense University of Madrid. She has worked as a scientific illustrator and translator and has been codirector of an art gallery focused on photography and drawings. She has worked as a professor and a speaker in various Master’s programs, courses and professional events that have to do with the administration of digital collections, the digitalization of our documentary and bibliographic heritage and digital preservation. 

Starting with the mantras of digital preservation, Isabel Bordes presents a global vision of the digital collections to be preserved at the Museo Nacional Centro de Arte Reina Sofía, as well as a brief summary of the advances, lacunae, procedures and roadmaps followed to date, and of the paths that are just opening up. Paths that are worth following step by step, without pausing before the infinite possibilities, always holding space for reflection, analysis and revision. As the painter Apelles (352 B.C.E.) said, “Nulla dies sine línea,” not a single day without tracing a line, even if it be digital.

The Digital Preservation of Cultural Heritage: Challenges, Lessons and Reflections from Tec de Monterrey
Ana Lucía Macías Chiu
National Director of Cultural Heritage (Instituto Tecnológico de Monterrey and Higher Education)
Mexico
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Ana Lucía Macías Chiu has worked at the Monterrey Institute of Technology and Higher Education for over twenty-five years. Her work involves cultural management, libraries and the publishing industry. She is currently the national director of the university’s Cultural Heritage department, whose mission is to care for, preserve, conserve and disseminate material goods that are considered to be primary sources in documentary collections and art with a high historical, aesthetic or intellectual value. She also coordinates Passion for Reading, an institutional reading promotion program. She is the president of Asociación Mexicana de Archivos y Bibliotecas Privados, A.C., representing private archives before the National Archives Council presided over by the General Archive of the Nation. She is also a member of UNESCO’s Memory of the World Mexico Committee.

This talk will present reflections from the interdisciplinary team of the Instituto Tecnológico de Monterrey and Higher Education’s National Department of Cultural Heritage, which works on the digital preservation of the heritage collections at four campuses of the institution (Mexico State, Mexico City, Zacatecas and Monterrey). Besides Ana Lucía Macías Chiu, the video that forms part of this presentation also includes participation from Lizette Zaldívar Larrañaga, leader of the Artistic Heritage department; Mabel Mauricio Escalante, coordinator of the Historic Archive of the Real Caja de Zacatecas; Rafael García González, a specialist at the Documentary Heritage department; and Marcela Beltrán Bravo, director of Special Collections.

Archives in Use
Damián Cabrera
Coordinator (Documentation and Research Department, Centro de Artes Visuales/Museo del Barro) and Member (Red Conceptualismos del Sur)
Paraguay
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Damián Cabrera is a writer, researcher, teacher, cultural manager and curator. In 2009, he received his Bachelor’s in Letters from the Faculty of Philosophy at the National University of Este, and in 2016, he finished his Master’s in Philosophy from the Cultural Studies Postgraduate Program at the University of São Paulo’s School of Arts, Sciences and Humanities (EACH-USP). He works with language, literature, borders, art, politics and culture. He participated in the Espacio/Crítica seminar, one of the most active platforms for the discussion and production of criticism in the south of the continent. He is a member of the collective Ediciones de la Ura, Red Conceptualismos del Sur, the Grupo de Investigación Estudios Culturales: Identidades y Cultura Política at the EACH-USP and the Paraguay chapter of the International Association of Art Critics. He gives classes in the Bachelor’s in Cinematography at the Columbia University of Paraguay and the Bachelor’s in Visual Arts at the Advanced Institute of Art at the National University of Asunción’s Faculty of Architecture, Design and the Arts. He coordinates the Documentation and Research Department at the Centro de Artes Visuales/Museo del Barro and has curated art exhibitions in Paraguay, while his texts have been published in Brazil, Argentina, the United States, Bolivia, Ecuador and Mexico. He is the author of the novel Xiru (2012). He has served as the Activities Coordinator for the Migliorisi Foundation/Art Collections and the Cervantes Library at the Juan de Salazar Spanish Cultural Center in Asunción.

Por confirmar

Guillermo García Pérez
Academic Curator (University Museum of Contemporary Art, UNAM)
MExico

Guillermo García Pérez is an editor, essayist, communicator and artist with an over 15-year career, including a series of projects centered on a political reading of the present through aesthetics and theory. He is also the academic curator of Expanded Campus, the academic program of the University Museum of Contemporary Art, and, with Nadia Baram, coeditor of LUCA, a publishing platform and space for free exploration. He curated and hosted the 2020 cycle SAMA: Sustained Listening Sessions and Icanitoa: Whispering of Those Absent, from 2021, both transmitted on the digital channels of Casa del Lago. This year, his sound piece Radio Clinamen was transmitted over Radio Alhara in Palestine as part of the fiftieth edition of the Umbral Festival. He was the editor of the magazine La Tempestad from 2010 to 2020. He is the creator of the Colector Cycle, which includes the workshops The Body in Capital, Spinoza Against Terror and Canetti and the Children. He has contributed to many publications, such as Blog de Crítica, Icónica, Lobo Suelto! (Argentina), La Diaria (Uruguay), Revista de la Universidad de México and GQ.