Enrique Ježik

Obstruct, destroy, conceal

During the last two decades, marked by his emigration from Argentina to Mexico in 1990, Enrique Ježik has explored, from within the polymorphic praxis of contemporary sculpture, a series of structures and devices concerning force, surveillance, repression, control and violence.  According to Ježik, sculpture is a way of thinking power and violence as an obstinate action upon the bodies’ matter.