- MUAC

The artist proposes a definitive radical turn in our approach to cultures, traditions, and objects by calling attention to repair as a key social and aesthetic operator in global experience. This concept encompasses both intervening materially in objects to restore their functions, and elaborating cultural scars left by bodily mutilations and wounds provoked by political entities, thus compounding social trauma.
 
The show A Descent to Paradise presents a short narrative take on Kader Attia’s recent work, defined by a political-theological interpretation of the idea of modernization. His works allude to images of redemption from a variety of spiritual complexes, and to the critique of modernity’s myths.
 
The exhibition presents multiple perspectives on the pairing of coloniality and modernity: the mirror that, as in Attia’s works, returns every face as a set of incompatible reflections.   

 - MUAC

In its analogical framework connecting culture and loss, repair and scar, and coloniality and phantom limbs, Kader Attia’s work constitutes one of the most original contributions to the art and culture of our time.


Artist: Kader Attia (Dugny, 1970)

Curated by: Cuauhtémoc Medina and Alejandra Labastida

Exhibition organized by Museo Universitario Arte Contemporáneo MUAC, in collaboration with Museo Amparo.

This exhibition was supported by Trampoline, Association in support of the
French art scene, Paris.

Publicación

Publication

Kader Attia. A Descent into Paradise

Authors : Cuauhtémoc Medina, Kader Attia, Rolando Vázquez

Language : Spanish & English

Editor: MUAC, UNAM

Price: $400