With the help of these methods, the composer discovers a grouping of numbers that, employed as entities of time and density, yield organic patterns in the electro-acoustic composition. These patterns in turn generate systems of separation between intervals, preventing convergence at the octave.

The result is that scales of the piece are always changing, modifying the tuning of its virtual instrumentation and compositional structure; that is, what we hear is a multi-vocal work under constant renewal.

Artist: Roberto Morales Manzanares (Mexico, 1958)
Curator: Marco Morales
Multichannel Sound Installation