Her virtuosic realism, approaches, and framing all confront the viewer with the rawness and violence of a death in which the individual is reduced to a forgotten object. Her work, testimony to the state of incessant violence in Mexico, harnesses morbid fascination as a strategy to show how every life lost means, too, the deprivation of intimacy.

Sin ningún pudor, 1996
Charcoal on paper
Acquisition, 1999